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sunshine challenge: 2025

Sunshine Challenge 2025: #3

Catching up! I've been so absorbed in writing the last couple weeks I've barely been posting. These last couple chapters of Sonata are intense.

Challenge #3
Journaling prompt: What are your favorite summer-associated foods?

Everything out of the Redwall cookbook, honestly, especially the scones. I've been cooking since I was very small, and got that cookbook as a birthday present the year I got really into those books (around 10-11, probably? I don't remember for sure). These days I have 2-3 scone recipes I rotate (including a savory cheese-and-chives one I should really make again sometime, it's been a while), but summer as a kid always meant I had lots of free time to make Redwall Stuff.

Creative prompt: Draw art of or make graphics of summer foods, or post your favorite summer recipes.

Well, tonight I just made the shortbread recipe out of the Redwall cookbook, if that counts! It's extremely simple, which is nice after a really long day. Mix it, put it in the oven, and ignore it for a while. I don't know if it's my favorite summer recipe all the time, but it sure is today.

( shortbread recipe )

Current Mood: excited

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Our FIRST ROUND starts on SUNDAY!!!

+++

About the comm.

It's one part dream.
One part disaster.
And absolutely 100% fandom.

It's Your OTPs/Fandoms combined with our chaos.

Challenge(s) 2025:

Challenge 1: Hodge Podge A new challenge idea I came up with all sorts of things to get players rolling out the fills and scoring points! SIGNS REMAIN OPEN THROUGHOUT THE ROUND

Sign up: July 3 Rd to July 19th @ 8PM EST / 12AM GTM
Opening Date: July 20
Closing Date: October 12

I hope to have a variety of challenges in this comm, but they make take some time for me to figure out as I don't want to copy other comms out there. I have an idea or two for an abbreviated challenge after this one and I'll be working on getting it ready go if you guys want to play with me again after this round

It's been a week so I am advertising again

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what are you playing wednesday

What Are You Playing Wednesday

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reading meme

Wednesday Reading Meme July 16 2025

What I’ve Read
Nothing to completion! I am reading a lot of different books at the same time tho.

What I’m Reading
Someone You Can Build a Nest In by John Wiswell – Last week I called this “a weird and gooey monster book” – This week, it’s a devastating romance with the two main characters that have layers upon layers of mommy issues. It’s great, would recommend. Hugos Shortlist.

Style: Toward Clarity and Grace by Joseph Williams – 1981 book on writing clearly. I think it does a lot of really careful explanation of the problems people encounter with getting their ideas into words. I’m only about 10% in.

Excellent Women by Barbara Pym – 1952, set immediately post-War in England. Our main character is a spinster with a fascinating set of social circles. “Excellent women” in this case seem to be all the women who do the grunt work of making things work in society. Recommended by a friend who never reads anything more recent than the 1970s.

The Goblin Emperor by Katherine Addison – re-reading for book club. Yup, this is amazing. Easily the fourth time I have re-read.

The Familiar by Leigh Bardugo – Did not finish, am abandoning – I realized that the annoying side character was actually going to be a romantic interest and I was like, I need out.

What I’ll Read Next

The Deep Dark
Track Changes
Alien Clay
Service Model
Monstress, Vol. 9: The Possessed
Navigational Entanglements
The Butcher of the Forest
The Practice, the Horizon, and the Chain
Speculative Whiteness: Science Fiction and the Alt-Right
The Brides of High Hill
The Tusks of Extinction
“Charting the Cliff: An Investigation into the 2023 Hugo Nomination Statistics”
“Signs of Life”
“By Salt, By Sea, By Light of Stars”
“The Brotherhood of Montague St. Video”
“Loneliness Universe”
“The 2023 Hugo Awards: A Report on Censorship and Exclusion”
“The Four Sisters Overlooking the Sea”
“Lake of Souls”

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C.J. Cherryh bibliography

Sources: ISFDB, Wikipedia, my bookshelves

I collated this list for my Cherryh reread project. I didn't include magazine publications or omnibus editions, and only noted reprints where updated copyright dates or author's notes indicated substantial revision.

Italics = Probably not covering this in the reread.

( Cut for length )

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The Very Slow C.J. Cherryh Reread

Welcome to the Very Slow C.J Cherryh Reread! I will be rereading C.J. Cherryh's work in order of publication and posting about it on a weekly or fortnightly basis. Subsequent posts will be all spoilers all the time, but for this overview, I will stick to generalities.

Cherryh is pronounced "Cherry", because that is her name; her first editor thought people would assume Carolyn Janice Cherry was a romance writer. (Her brother, sf artist David A. Cherry, was not subject to similar strictures.) Starting in the mid-70s, she has has written 77 novels and four short story collections (1); self-published three journal collections (blog posts); edited seven anthologies; and translated four novels from the French. Her shared world fiction, not included in the aforementioned collections, must amount to at least another four or five novels' worth of word count.

Notes towards an overview

It is so hard to know how to start talking about Cherryh's work. She is so foundational and yet so idiosyncratic and weird! She has a wide fanbase and has won two Hugos and been recognized with the Damon Knight Grand Master Award by the SFWA, and I, like many of her fans, am still convinced she is underappreciated. I blame a lot of this lack of recognition on sexism, though I think some of it is also due to the nature of her work. Cherryh belongs to what I think of, for lack of a better term, as Deep Genre: she makes almost no sense if you are not familiar with science fiction tropes and reading protocols. She is almost unimaginable as Baby's First Science Fiction, unless Baby has a heavy tolerance for getting thrown in the deep end and having to figure out oceanography and navigation pn the fly while also learning to swim by trial and error while also being shouted at by several different parties, some of whom are trying to rescue Baby and some of whom are trying to drown them, but good luck telling which is which. (This is, of course, my preferred mode of science fiction immersion, but it's impossible to say whether that is the cause of my deep love for Cherryh's writing or the result of my early exposure to it.)

Cherryh is an extremely immersive writer, and famously an expert at extremely tight unremarked third-person focalization; she expects you to pick up hints and asides and put together information by implication, or, if you can't do that, at least to be absorbed enough by what you do understand that you just keep going anyway. To this day, I have almost no comprehension of the plot of a Cherryh novel until my second or third reading.

Cherryh, more than almost any other sf writer, feels like she is writing history: her books don't cohere into a single grand narrative, but are each snapshots of different collisions between nature, nurture, chance individual encounters, and overwhelming social forces. Very frequently, conflicts are upended or balances of power shifted by the sudden intrusion of a player that was never mentioned before, or that got mentioned in a tossed-off subordinate clause in a passage focused on something else entirely, and it doesn't feel like a deus ex machina or an overcomplication; it feels like panning out of a zoomed-in map and realizing you should have been thinking about how those close-ups or insets fit into a bigger context all along.

Cherryh writes so many different kinds of books—big anthropological novels told blockbuster-style with multiple POVs, with a Victorian devotion to including people across every sector of society and class; weird slender thought experiments about the nature of reality and the definition of humanity; and alien encounters, so many alien encounters, humans encountering aliens, humans encountering humans who might as well be aliens, humans and aliens encountering other aliens who make the "alienness" possible to other humans seem facile and trite. (I am very much looking forward to getting to the weird body horror of Voyager in the Night and the multi-way alien encounter extravaganza of the Chanur books.)

I have heard Cherryh's prose style called dry; in a recent podcast Arkady Martine called it "transparent"; I remember Jo Walton once in a blog post saying it read like something translated out of an alien language. I personally love its distinctive rhythms and find it extremely chewy and dense, the very opposite of transparent; I think it gets a lot of its peculiar flavor from the deliberate deployment of archaic vocabulary—not words that have fallen out of use, but words where she relies on the older rather than the present connotations. Vocabulary and grammar become tools of estrangement; the style itself tells you that you are not reading something set in the present day and you cannot assume you understand the personal or social logic shaping this narrative by default.

Series and other groupings

I do not have a single good way to divide up Cherryh's oeuvre, so here, have a mishmash of setting, genre, and production history:

The Union-Alliance universe
Most or all of Cherryh's science fiction takes place in a vast future history known as the Union-Alliance universe for two of its major political powers. Union-Alliance is less a series than a setting; most of the books grouped under it stand alone, or belong to short subseries (often later published in combined editions) that are independent of each other. Outside the subseries, the books can be read in any order, and publication order generally does not reflect internal chronology.

In this future history, habitable planets are rare; extrasolar colonies are initially space stations built out of slower-than-light transports sent from star to star. After FTL (dependent on sketchily explained "jump points") is developed and new (though still rare) Earthlike exoplanets are settled, trade is dependent on family-owned and operated Merchanter ships, each one in effect its own independent small nation.

The books themselves vary widely in focus: some depict an enclosed society, a ship or a space station or a single, sparsely populated planet; some encompass vast spreads of space or time and major historical events. Cherryh has a welcome tendency to produce books whose characters all share a common background and then to go on to write others from the perspective of the other three or four sides of any given conflict. (Conflicts in Cherryh seldom boil down to as few as two sides.)

Although author timelines and republished edition front matter puts all the sf Cherryh produced in the twentieth century into this background, when people speak casually of the Union-Alliance books they often mean the subset of books clustered around the time period of the Company Wars, when Earth is attempting to exert control over its extrasolar colonies. (None of the books take place on Earth; only two take place in the solar system. Probably one of the clearest signs that Cherryh is American is that her sympathy defaults to the colonies attempting to break away.)

The atevi series
In the atevi series (also known as the Foreigner sequence, for the first novel in it), a lost human ship settles on a world already inhabited by an intelligent native species called atevi.

The humans and atevi get along great for around twenty years, which is when the humans find themselves in the midst of a catastrophic war they don't understand how they started. The surviving humans are displaced to a single large island, with a peace treaty that declares no humans will set foot on the mainland except the official interpreter.

The series takes place a few hundred years later and focuses on the latest official interpreter, whose job duties are soon to expand drastically and include cross-planetary adventures and fun poisoned teatimes with local grand dames.

This series has been the bulk of Cherryh's work since the mid-nineties. It is twenty-two volumes and still ongoing. Unlike the (other?) (2) Union-Alliance books, these form a single continuous narrative; by the late teens, they are more or less a roman fleuve. Cherryh initially breaks down the longer series into sets of three, possibly with the hope each new trilogy could serve as a new entrypoint, but this pattern is abandoned after the first fifteen books. She does still valiantly attempt to summarize the important points of the previous books within text, but in my opinion this straight-up does not work. You really do need to read these books in chronological order for them to make sense.

The series is popular and well-beloved and has been cited as a major influence by both Ann Leckie and Arkady Martine, and I nevertheless blame it in part for Cherryh's failure to receive the attention and respect she deserves. Long ongoing serials do not tend to receive as many award nominations or reviews as work that requires less background reading, not helped in this case by the weakness of the latest books. The atevi books have always been less dense than Cherryh's earlier work, but in the past decade they have sometimes narrowed down to an excruciating microfocus. (I am especially cranky about Book 19, which takes place over a single weekend and is entirely concerned with the logistics of securing a hotel room from infiltration or attack.)

Fantasies
Cherryh's fantasies are all traditional medievalish works, most of them very Tolkien influenced. The majority of them are in ahistorical, vaguely Celtic settings (the Ealdwood books, Faery in Shadow/Faery Moon, the Fortress series, possibly Goblin Mirror); one trilogy is set in land-of-Fable Tsarist Russia; one magicless standalone is set in a kind of China-Japan analogue that feels a lot less Orientalist than that combination should because of the determined lack of ornament and exoticization (YMMV).

Like her science fiction, Cherryh's fantasy tends to feature protagonists who are terrified, desperate, paranoid, and in desperate need of a bath and a good night's sleep. Also like her science fiction, somehow or other her fantasy invariably ends up being about thought control and social conditioning and infinite regresses of self-conscious thought.

Shared-world work
The eighties saw an explosion in shared-world fantasy, something like professional fanfiction and something like the work of television writers' rooms: groups of writers would collaborate on stories set in a background they developed together. One of the earliest and most influential was the Thieves' World series edited by Robert Lynn Asprin and Lynn Abbey, set in a sword & sorcery venue most notable for its exponential urban deterioration with each volume, grimdark avant la lettre. Cherryh was a frequent contributor, her stories featuring a particular set of down-on-their-luck mercenaries, street kids gone hedge magicians, and the extremely powerful vampirelike sorceress Ischade. This series set the pattern for her most significant later shared world works, both in terms of her frequent collaboration with Abbey and writer Janet Morris and in the tendency to treat each story more as a chapter in an ongoing serial than as a complete episode in itself.

For Janet Morris' Heroes in Hell anthologies, set in a Riverworld-inspired afterworld where everybody in all of recorded history seemed to be in the underworld, Cherryh resurrected her college major and Master's degree in Classics to focus on Julius Caesar and associated historical figures, producing nine or ten short stories, some of them also incorporated into two novel collaborations with Morris and a solo novel. The world-building and general theology are frankly a mess, but I would still 100% go for a historical novel of the Roman Republic or early empire if Cherryh felt like writing one.

Cherryh launched her own shared world series, Merovingen Nights,with the solo novel, Angel with a Sword, and then edited seven subsequent anthologies. She described several of the anthologies as "mosaic novels", and they do indeed show an unusual amount of close coordination and interdependence among the stories penned by different authors. Despite the novel title, the series is science fiction, set on an isolated planet in the Union-Alliance universe. Neither novel nor anthologies were reprinted during DAW's early 2000s phase of repackaging most of the older work Cherryh originally published with them, which is a great shame; they are very solid.

Full disclosure

This isn't 100% a reread project. There are three books in the 2000s I've never read. I'll let you know when we get there.

I also expect Cherryh to have published more books by the time I finish, but let's be real, I'm going to read those as soon as they come out.

Currently I'm not planning to cover Cherryh's translations, her journals, or most of her shared world work. I'm not sure how I'll handle the Foreigner books, which suffer from diminishing returns; I may cover the first few and stop, I may skip around to only the volumes I find particularly interesting, I may bundle together multiple volumes in a single post.

I am going to cover the Lois and Clark tie-in novel, because I find it hilarious that Cherryh (a) wrote a contemporary novel; (b) wrote a tie-in novel; (c) wrote a Superman novel. (Her first short story ever, the Nebula Award winner "Cassandra", was also set in the then present day, but I think that's it.)

Other Cherryh reading projects

The single tag for Jo Walton's Cherryh rereads has been lost to the Reactor Magazine reorganization, but you can find them pretty easily by going to the oldest Cherryh reviews on the site and reading forward

Ian Sales' SF Mistressworks project has multiple Cherryh reviews by multiple reviewers

The Three Hoarsemen podcast, The Works of C.J. Cherryh

sholio's Read All the Cherryh tag

james_davis_nicoll is reading a Cherryh a month for 2025; to find his earlier Cherryh reviews, use a keyword search

Endnotes

1 This count includes the collaborations with Janet Morris and Jane Fancher, but excludes The Sword of Knowledge series, which was written entirely by her collaborators (Leslie Fish, Nancy Asire, and Mercedes Lackey) from Cherryh's outline. [back]

2 It's not clear from the text itself whether or not these books also fall under the Union-Alliance umbrella. Cherryh has sometimes said they do, but the humans in the Foreigner series are so isolated that the events of the Union-Alliance books have effectively no bearing on them. [back]

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books

Reading Wednesday

Hi did you miss these?

Just finished: The Tainted Cup by Robert Jackson Bennett. I ended up enjoying the shit out of this. Murder mystery/political palace intrigue set in a world where eldritch abominations threaten to break through the seawall and destroy entire cities every wet season, and magic is done through bioengineering. The brilliant Sherlock Holmes analogue is a mysterious and terrifying elderly woman and the Watson analogue is a dyslexic disaster bisexual kid who's been altered so that he remembers everything he experiences. It's very fun.

Currently reading: Bread and Stone by Allan Weiss. Look at me I'm reading CanLit! It's about the Winnipeg General Strike, though, so it's not off-brand for me. In the first section, William, a failure of a farm boy, goes off to the Great War against his family's wishes. It's immaculately researched; you get every detail of small town Alberta and the culture shock of moving to the big city of...1914 Calgary. William's father is a coal miner who describes in passionate terms the solidarity that comes from joining a union, but doesn't want his son to go down into the mines himself, so Williams seeks it first in the church, and then amongst his unit. I've gotten to the bit where he's finally being shipped out for France. Quite good so far.

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Star Wars: Sith September (Sep 1-30)

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Murderbot TV vid: I Lived

Title: I Lived
Character/Relationship: Team as family, Team + Murderbot
TV Series: Murderbot TV
Music: I Lived by OneRepublic
Length: 3:57

AO3 | DW | Tumblr | Youtube

Contains some sci-fi violence as per the show (but generally not the most graphic scenes), flickering/flashing lights in a couple of scenes; also has the canon pairings in the background, but it's mostly focused on the team + Murderbot being Intrepid Galactic Explorers. Spoilers for all of season one.

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Trick or Treat MJV Week [Oct 3rd - Oct 9th 2025]

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#Lysiclaude2025Bingo starts this week! (7/17~24)

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gastronomy

(no subject)

It turns out that North & South (2004) is not soothing to watch whilst stitching; I am not interested in the 1850's generally, I am in no fit state to be entertained by the Industrial Revolution and labor unrest, and the cinematography is bleak. Richard Armitage's jawline does not make up for these flaws.

The Three Sisters plot has begun giving me peas! It is surprisingly difficult to distinguish between "immature snap pea" and "mature snow pea". I should probably give up this plot next year, as the fee is almost twice as much as the one near my apartment, and getting there & back is annoying, and the plot is weed central ....but the raspberry patch! I got sour and sweet cherries at the farmer's market, which of course means that I made cherry-pit whipped cream to go with the cherry galette; it is now corn and zucchini season, which is one of my favorite seasons; I miss having a grill so much. It is absolutely perfect grilling weather.

Somehow I have three community events at the same time tonight: a embroidery meetup, a constituent outreach meeting with my city councilor, and a meeting of the neighborhood association board. ::facepalm::

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Gratitudes dammit

1. Murderbot! I deeply enjoyed the whole first season. I think they did a lovely job of translating from book into tv show, and Skarsgard has totally sold me on the role. (It helps that we know he loves the books too -- he wants to do right by them.)

2. Andor! I'm now seven episodes in and absolutely loving it. It feels awfully relevant to our moment. Also I am amused by the fact that this show also relies in part on the acting talent of a Skarsgard, just, y'know, a different one.

3. Rapport: Friendship, Solidarity, Communion, Empathy by Martha Wells, published to celebrate the Murderbot S1 finale.

4. Cold coffee with milk and splenda, and a distant patch of blue in the cloudy skies.

5. All of my laundry is folded and put away. This is, as ever, a temporary state of affairs but it's a nice one while it lasts.

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Whale photos (and one puffin)

You are not prepared.

( many )

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2 shows; life stuff

I finished 五福临门 | Perfect Match (2025) (Cdrama, 36 episodes) and 相続探偵 | Inheritance Detective (2025) (Jdrama, 10 episodes), both of them on Netflix.

( Perfect Match )

( Inheritance Detective )

( In other news (RL) )

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booklog: 2025

june booklog

( 53. Beautiful Just - Lillian Beckwith ) I don't love this any more, but I can see why I did.

( 54. The Whig Supremacy - Basil Williams ) Moving into ever more familiar territory...

( 55. A Tale of Time City, 56. Eight Days of Luke, 61. The Game, and 62. Dogsbody - Diana Wynne Jones ) Apparently I have strong feelings about Dogsbody still. But these were all very readable, if in some cases rather slight.

( 57. A Problem for the Chalet School and 58. The Chalet School Triplets - Elinor M Brent-Dyer ) Always a pleasant time re-reading these.

( 59. A Sorceress Comes to Call - T Kingfisher ) Kingfisher is just generally reliable for me, and this is not an exception.

( 60. The Incandescent - Emily Tesh ) I enjoyed this a lot, and I'm very much looking forward to seeing where Tesh goes next! Recommended to anyone with an interest in pedagogy and school stories; what a great combination that definitely should be more common.

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Photos (mostly whales)

If you're playing along, try to ID the whales. Also some forest pictures and some dead fish that wash up en masse this time of year.

( whales! )

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tv: teen wolf

Derek Hale Fan Video - Titanium

Title: Titanium
Character: Derek Hale
TV Series: Teen Wolf
Music: Titanium by Sia
Length: 3:55
Streaming/download at: DW | Tumblr

Current Mood: hot

It's nice that the TV is inside where the temperature is reasonable.

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